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Jessica Clarke, with her fair hair blown awry and wearing a brown jacket in production of 'Iphigenia in Splott.'
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Theatre Review: Iphigenia in Splott, Red Stitch Actors’ Theatre

A solo performance about deprivation and the socially marginalised.

A teenage boy with dark hair and an oversized sweater is hanging onto a railing. You're the Man by Paul Mitchell at La Mama Courthouse.
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Theatre Review: You’re The Man, La Mama Courthouse

Domestic and intergenerational violence are played out in this production.

A older woman wrapped up in a black shawl is standing on the right hand side of the frame. There is a beam of white light on the left. Mother with Noni Hazlehurst.
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Theatre review: Mother, Arts Centre Melbourne

A powerhouse performance from Noni Hazlehurst, but the depiction of mothers experiencing addiction may leave a bad taste in your…

Four men and three women are walking on wooden boards of differing heights. They are dressed in casual clothes. In a Nutshell, The Poetry of Violence by Bell Shakespeare.
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Theatre review: In a Nutshell: The Poetry of Violence, Neilson Nutshell, Pier 2/3

In its latest Shakespearean mash-up, Bell Shakespeare explores the nature of violence in the Bard’s work.

A dancer in 'The Hearth' with long brown hair is balancing on one leg in the centre of the room. Other dancers are on the right side.
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Dance review: The Hearth, Tasmanian Museum and Art Gallery

Young dancers in a site-specific work explore the concept of safe spaces.

An illustration line drawing of a man's torso with a Polaroid around his neck. He is carrying a photo of his face. Tony Woods.
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Exhibition review: Tony Woods, Magma Galleries

A slick Melbourne gallery celebrates the life and works of a staggeringly prolific artistic chameleon.

A young blonde woman in denim jacket (Ashleigh Hermann) is staring across a table at an older man (Daniel Mitchell) in 'Blackbird.'
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Theatre review: Blackbird, Wentworth Falls School of Arts

Exploring the devastating power of trauma and guilt, director Paulina Kelly’s production of ‘Blackbird’ was uncomfortable, shocking – and brilliant. 

A kitchen scene. Two women are on the left at a table, one seated, another perched on the table. A man is on the right, riding a tiny child's tricycle. The Children.
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Theatre review: The Children, Heath Ledger Theatre, WA

Environmental disaster and the rocky affairs of the heart are braided in this production.

Two woman are enshrouded in darkness. The one on the left, who has short dark hair, is holding a lamp. The other one has long white hair. The Turn of the Screw by Hayes Theatre.
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Opera review: The Turn of the Screw, Hayes Theatre

Director Craig Baldwin and the Hayes Theatre Co breathe new life into a Benjamin Britten classic.

Two panels: Left is author Katerina Gibson who ha short dark hair. She is wearing a singlet and standing in front of a pale painting that has an image of a skull and a close up eye. The right panel is the cover of her book, with 'The Temperature' broken up against a swirly, multi-coloured background and a shadow of a person.
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Book review: The Temperature, Katerina Gibson

Six characters whose lives intersect in a novel that takes the pulse of the times.

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