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A Middle Eastern man in a green fluro top is holding a slice of watermelon.
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Comedy review: Big Nose Big Dreams, Sydney Fringe Festival

A debut solo show from an Egyptian-Australian writer and comic who avoids the usual diaspora stories.

a close up of ballerinas' feet with lit up tutus. We Call it Ballet: Sleeping Beauty
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Dance review: We Call It Ballet: Sleeping Beauty, Capitol Theatre

Fluoro-lit ballet that has little to do with the classic fairytale.

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Performance review: Pride and Prejudice ā€“ An Adaptation in Words and Music, Arts Centre Melbourne

A dramatic reading of the beloved Austen novel, with musical accompaniment.

Gallery setting with white pebble floor and mirror stip with stone boulders. Lee Ufan.
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Exhibition review: Lee Ufan: Quiet Resonance, AGNSW

First Sydney solo exhibition from one of the world's most highly regarded minimalist artists.

A long haired man (Tim Winton) is seated on the left and the cover for his book Juice with white text on a black and orange background on the right.
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Book review: Juice, Tim Winton

Tim Winton returns with a new novel that marks a departure into cli-fi.

A middle-aged woman in a dressing gown is standing a few metres away from a young woman dressed in shades of brown in 'The Almighty Sometimes.'
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Theatre review: The Almighty Sometimes, Adelaide Festival Centre

Mental illness in the young displayed with nuance and sensitivity.

A woman, Sahara Beck, wearing a white and black outfit is standing with a microphone. A drag queen in a black leotard, is standing beside her, back to back.
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Performance review: Bite Club: 2nd Serve, Arts Centre Melbourne

The Brief's Factory troupe returns to entertain and scandalise with their circus tricks.

Two men and two wome are seated. All are drinking. All are wearing colourful clothes. The design colours are bright graphic prints.
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Theatre review: The Puzzle, Dunstan Playhouse

State Theatre South Australia celebrates 50 years of the Dunstan Playhouse with a David Williamson world premiere.

a pair of vintage water skis on a boat shed door in an exhibition. 'Accidentally Wes Anderson'
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Exhibition review: Accidentally Wes Anderson, Melbourne CBD

You don't have to be an Anderson fan to enjoy this exhibition, but you definitely need to admire his aesthetic.

Artwork by Khaled Sabsabi hang from the ceilings. There is a video still on the left.
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Exhibition review: Khaled Sabsabi, The Lock Up

A significant survey of works from the renowned Lebanese Australian artist.

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