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An Aboriginal man in a silver costume has a moon like headdress and carries a lit sphere on a pole. Emu in the Sun, Blak in the Room.
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Theatre review: Blak in the Room, Southbank Theatre

Three short plays offer 'the gift of hearing our stories' from First Nations playwrights and creatives.

ceramic sculptures on timber palettes in gallery space with windows. Vipoo Srivilasa
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Exhibition review: re/JOY, Vipoo Srivilasa, Australian Design Centre

Vipoo Srivilasa reclaims memory-laden objects in a genuine body of ceramic works that celebrate the individual and community.

A wedding scene, with rows of chairs and heavy linenware.
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Performance review: Zaffé, Arts House

A joyous wedding party in the face of real life.

A white tent in a field surrounded by festivalgoers at Queenscliffe Music Festival.
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Music review: Queenscliff Music Festival

Queenscliff Music Festival brought fresh and established talent to the picturesque Victorian coastal town.

Two panels: on the left a woman with medium length dark hair resting her chin on her hand. On the right is a dark book cover with a illustration showing a woman seated on a beach t night seen from behind and looking out to sea.
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Book review: The Mother Must Die, Koraly Dimitriadis

A collection of short stories tracking intergenerational families, motherhood and the migrant experience.

Two panels. On the left is poet Jazz Money. She has blonde hair and is wearing a yellow top. On the right is the cover of her book 'mark the dawn' which is yellow and covered in random markings.
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Book review: mark the dawn, Jazz Money

Jazz Money's second poetry collection is a lyrical and fierce reckoning of contemporary life.

Two panels. On the left is Tim Minchin, who is wearing a dark suit. He has long brown hair and a short beard. On the right is the cover of his book, 'You Don't Have to Have a Dream' which shows an illustration of a person holding up a yellow balloon.
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Book review: You don’t have to have a dream, Tim Minchin

Three speeches made by Tim Minchin when he received honorary university degrees are collected and published as a book.

Colourful artwork with different patterns from Yuriyal Bridgeman depicted in panels upright and on the floor.
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Exhibition review: Yuriyal Bridgeman: yubilong(mi)bilongyu, Griffith University Art Museum

This survey investigates the significant mark Yuriyal Bridgeman has made on Australia’s post-colonial arts landscape.

Two panels. The left is of author Helen Garner, an elderly woman with short grey hair wearing a black top with her arm crossed. On the right is the cover of her book 'The Season.' It features a group of young boys on a footy field tackling each other.
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Book review: The Season, Helen Garner

Over a single footy season, Helen Garner explores the travails of the game, as well as offering an overarching look…

Anyma, a man in black with his back to us facing some silver metallic music decks.
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Music review: Anyma’s Genesys, Flemington Racecourse, ALWAYS LIVE Festival

Anyma’s Genesys was an electronica-induced endorphin rush.

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