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‘How Art Works’ by Chloe Watfern. Watfern is shown in a photo on the left, a woman with pale skin and tied back brown hair, wearing large circular earrings and a blue and white circular scoop neck top. On the right is a cover of the book with a. Series of black and white prints with faces drawn on, and the title ‘HOW ART WORKS’
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Book review: How Art Works: Stories from Supported Studios, Chloe Watfern

Spotlighting artists with intellectual disabilities and their ways of art-making, ‘How Art Works’ is an insightful must-have for every arts…

An inverted triangle with a chunk taken out of it is covered with black and white print and sitting on a small plinth. A white spotlight is shining on it.
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Exhibition review: Bandarr Wirrpanda and Yinimala Gumana: Timeless, MAGMA Galleries

MAGMA Galleries showcases spectacular contemporary Indigenous Australian art

The cast of 'Classifried': two women and three men are emoting and gesticulating.
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Theatre review: Classifried! The MKUltra Sitcom, The Butterfly Club

The theatre audience becomes a sitcom audience in this comedic offering.

Person in gallery with pastel coloured abstract paintings. Lesley Dumbrell
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Exhibition review: Lesley Dumbrell: Thrum, five decades of practice at AGNSW

'Thrum' perfectly describes the consistent vibration and pure pleasure at the heart of Dumbrell's practice for five decades.

Two panels. On the left is a smiling woman, Jumaana Abdu, wearing a taupe and white hijab. On the right is the cover of her novel, Translations, which features a woman also wearing a head veil. Her face is overlaid with some intricate patterns.
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Book review: Translations, Jumaana Abdu

A psychological journey that canvasses the depths of identity and trauma and explores the gaps of language.

A series of colouful bendy sculptures by artist Renee Kire are enclosed in glass.
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Exhibition review: Renee Kire: Twist and Turn, Rockhampton Museum of Art

Renee Kire addresses women’s minimalist sculpture.

pink tones of back lighting with group of dancers silhouetted against it. Angelica Mesiti
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Exhibition review: Angelica Mesiti: The Rites of When, AGNSW

Angelica Mesiti delivers a complex and immersive video work, but it is overshadowed by the architecture of the Tank gallery.

The stage is dark except for a spotlight shining over Nicci Wilks in the production of 'BAD BOY".
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Theatre review: BAD BOY, fortyfivedownstairs

A one-person show exploring toxic masculinity and domestic abuse.

A woman in a sari is sitting next to a bearded man with a blue shirt and dark pants in the stage show of 'Ten years to Home.'
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Theatre review: Ten Years to Home, KXT on Broadway

An autobiographical play that traverses the universal themes of migration, identity and belonging.

Two panels. On the left is a black and white photo of a woman with shoulder length hair and a pale scarf looking into the distance. On the right is the cover of a book with "The Burrow" in red font on the top and a small rabbit on the bottom.
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Book review: The Burrow, Melanie Cheng

A new pet rabbit becomes the focal point for a grieving family.

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