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Performance review: The Poison of Polygamy, La Boite Theatre

A rediscovered morality tale highlighting the Chinese diaspora in Australia and offering some fresh perspectives.

Review: Blood of my blood, Yirramboi

After a last-minute cancellation of one half of the double bill, ‘Blood of my blood’ persevered, echoing its exploration of…

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Opera review: The Pirates of Penzance, G&S Fest

Featuring clever staging, colourful costumes, cheeky comedy and beautiful work from the ASO and SOSA, this production is a delight.

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Theatre review: Cavalcade, The Eleventh Hour Theatre

A thought-provoking, wry revue that invites audiences to engage with theatrical experimentation.

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Performance review: MEERTA – Rise Up! The Ballad of James Arden, Arts Centre Melbourne

The story of Gunditjmara man James Arden as told by his great grandson, Kokatha/Gunditjmara songman David Arden.

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Book review: Fat Girl Dancing, Kris Kneen

An achingly honest memoir of otherness, queerness and embodied becoming.

Killing Time by Jack Hibberd. An older man in a grey jacket played by Jim Daly sprays water over a coffin towards a long haired older man kneeling on the other side of the coffin, played by Don Bridges. They are on stage in a small poky room set.
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Theatre Review: Killing Time, La Mama Courthouse

Celebrated playwright Jack Hibberd’s absurdist new farce is about time, and how it waits for no one.

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Theatre review: Loaded, Malthouse Theatre

A freewheeling, caustic monologue performed with feverish intensity by the spellbinding Danny Ball.

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Exhibition review: Renee So: Provenance, MUMA

Renee So’s first museum survey presents the breadth of her practice and research, with captivating works at every turn.

Light show at Uluru as shape of a dog.
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Drone performance review: Wintjiri Wiṟu, Uluṟu

In a world first, a drone and laser show over Uluṟu blends ancient law with new world technology, to teach…

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