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Theatre review: The Weekend, Belvoir

Charlotte Wood's acclaimed novel is faithfully brought to the stage.

Two male dancers, wearing orange prison overalls rolled down to the waist. Their chests and arms and the floor are streaked with white ochre. Chandler Connell is to the left, in the background, kneeling, arms outstretched to his side. Alexander Abbot is to the right in the foreground. He is standing, legs wide, and leaning back. The background is black.
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Dance review: The Other Side of Me, Darwin Festival

The NT Dance Company's world premiere is truth-telling powerfully expressed by two dancers representing one First Nations man.

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Opera review: La Gioconda in Concert, Sydney Opera House

Tenor Jonas Kaufmann was the drawcard but Spanish soprano Saioa Hernández shone as the star of the evening, performing with…

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Art Fair Review: Spring1883, Hotel Windsor

Spring1883 Art Fair is back! Has the wait delivered a fresh view from gallerists?

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Musical review: A Chorus Line, The Royale Theatre, WA

First performed in 1975, this hit musical continues to remain relevant in the contemporary performing arts scene.

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Theatre review: Medusa, The Rechabite, WA

Thematically resonant, dramatically intriguing and downright fun.

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Dance review: 4/4, Merlyn Theatre

Embodied, rigorous and sensorially spectacular, Chunky Move’s latest dance work will linger long past the final beat.

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Theatre review: Telethon Kid, Malthouse Theatre

The moral of ‘Telethon Kid’ hangs on a precarious through line that is tarnished in this make-believe world.

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Theatre review: I Said This To the Bird, La Mama Courthouse

Performed entirely in Farsi, Dr Mammad Aidani’s bold provocation to the establishment struggles to affect.

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Theatre review: Fade, Riverside Theatres

A profound critique of affirmative action and show business culture.

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