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A white shoe with some light feathery leaves embellishments.
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Exhibition review: Elizabeth Colbert, Objective Abstraction group exhibition, Tacit Gallery

Tacit’s final exhibition is brilliant yet bittersweet.

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Music review: Beth Gibbons, RISING, Hamer Hall

The celestial vocal stylings of Portishead's lead singer shone in a concert drawn from her first solo album.

A group of ballerinas with their arms in the air resembling swan necks.
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Dance review: Ballet Preljocaj: Swan Lake, Lyric Theatre, QPAC

Ballet Preljocaj’s 'Swan Lake' offers a radical reimagining of Tchaikovsky’s masterpiece in a finely crafted, beautifully delivered production.    

A fair-skinned woman with wavy blonde hair bites one nail as she contemplates a budding tree branch. The scene is lit with a soft, warm light. A scene from the play 'Ripening' by Citizen Theatre.
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Theatre review: Ripening, Gasworks Arts Park

A heartfelt look at the intense experience of navigating pregnancy and childbirth in today’s Western medical system.

Two female road workers dressed in white helmets and orange hi-vis jackets sit in folding chairs. They nurse cups of tea and a Stop sign is drapped across their laps. A traffic cone is visible behind them.
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Theatre review: How To Hold A Sign, The Butterfly Club

An insightful and accessible exploration of the challenges faced by women working in the construction industry.

A colourful cubist artwork of the same woman seen from multiple perspectives, painted in shades of white, yellow, orange and blue. The painting is framed by the blurred bodies of two men who are looking at the artwork: the photo is taken over their shoulders. The painting is part of the exhibition 'Cézanne to Giacometti:' at the National Gallery of Australia.
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Exhibition review: Cézanne to Giacometti, National Gallery of Australia

A highly contextualised, thoughtful, and conversational exhibition which maps out a decades-long conversation of modern ways of seeing.

Two women in white Regency-style dresses. A promotional image for the production 'Austen in Therapy'.
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Theatre review: Austen in Therapy, Abbotsford Convent

Jane Austen lovers will find this enjoyable if they can look past the lacklustre production.

Two panels. On the left is of a woman with brown wavy hair wearing a green top. She's looking to the right. On the left is the cover of a book 'I HOPE YOU'RE HAPPY'. It features an illustration of a hand squashing a hotdog.
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Book review: I HOPE YOU'RE HAPPY, Marni Appleton

This collection of short stories offers a window into the lives of young, contemporary women.

A woman standing at a stove. She's holding onto a red oven mitt. A scene from in Mi Todo Productions' 'Mary Jane' at The Old Fitz Theatre, 2025.
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Theatre review: Mary Jane, Old Fitz Theatre

An intimate portrait of a woman caring for her chronically ill son.

Two men sitting on a flight of white stairs. They are wearing shorts and white suit jackets adorned with palm trees. One of pair has a blank white mask, hat and sunglasses; the man to his left was a tanned face and a moustache.
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Theatre review: The Anarchy (1138-53), KXT on Broadway

An experimental and inventive production that will provoke and pique curiosity.

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