Features
Exit interview: Chris Bendall, Critical Stages Touring
Chris Bendall reflects on nine years at Critical Stages as he shifts his focus from national to local, with a…
Déjà vu: Robert Leonard on returning to Brisbane’s IMA
After a decade's hiatus between stints as Director, Robert Leonard’s return to the IMA in Brisbane is a win all…
Ways digital transformation is taking place in the cultural sector
From heritage institutions adopting R&D methodology to adapting live theatre for the screen, there are myriad ways of integrating digital…
How many teenagers are seeing theatre right now?
They are the core arts audiences of the future. But how many teenagers are attending theatre right now?
A postcard from New York
ArtsHub Features Writer, Suzannah Conway, recaps on some of the best of New York’s arts and culture this winter.
How funding woes inspired a new home for live art
Launceston’s Assembly 197 is a new approach to art-making that celebrates the spirit of community and collaboration.
What Christie's investment in Art Money means for Australian artists
Art Money CEO Paul Becker reveals what it means to bring Christie’s on board this Aussie-founded, global marketplace for art.
Putting the science behind performers’ well-being
Caring for performers’ mental and physical well-being needs to be backed by evidence-based methods for maximum impact.
How can publishers best support the authors of trauma memoirs?
Kylie Cardell, Christiana Harous, Emma Maguire and Lydia Woodyatt look at the ways publishers can assist writers of difficult personal…
Why capitalism isn’t paying for creative labour
In a recent panel at ACMI, the authors of Chokepoint Capitalism shared insights on why ‘art is making more money…