Features
What is 'time activism' – and why do we desperately need it?
'Hanging out' and 'wasting time' — may be a survival mechanism and deeply human need, as well as a radical…
Contemporary art in historic sites: why do we love them?
From boutique hotel art fairs to regional festivals, there is a huge appetite for contemporary art in historic venues.
'Noice, different, unusual' book launches
Bored with the idea of launching your book in a store? What about a gaol, a boat or a museum?
The undiscovered country: ageing and dementia on stage
Seventeen years after winning the Patrick White Playwrights Award, Patricia Cornelius’ ‘Do Not Go Gentle’ finally has its mainstage debut.
From Twelfth Night to Salt Waves Fresh: Shakespeare in FNQ
Fulbright Scholar Professor Gretchen Minton has been reworking Shakespeare, working with TheatreiNQ in Far North Queensland.
Who gets to light up Sydney Opera House sails?
In a fitting tribute, John Olsen’s artworks will grace Sydney Opera House for Vivid Sydney, on the building’s 50th anniversary.…
How data is democratising access to culture and entertainment
In a new era of live experiences, Fever is a platform that helps events grow and expand strategically with the…
Jam-packed Aboriginal art fair a positive sign after period of controversy
In the face of the art tampering allegations at an APY Lands art centre, strong sales at a recent Aboriginal…
What do artists do when the crowd isn’t looking?
Buxton Contemporary's new group exhibition goes against the grain to consider solitude and the 'after hours' labour of artistic practices.
Good things happen when the young Dare to Dream
JUTE Theatre Company’s new First Nations residency program, Dare to Dream, hits the road this month in Far North Queensland.