Features
Same-same, but different: The National 4 matures
This multi-venue survey of Australian artists navigates contemporary narratives in four rather disparate exhibitions.
Vale to a great leader, Yunupiŋu
Yunupiŋu was a great clan leader, a great family man and very much loved. I wish Australian political leaders could…
The vision needed to curate a successful music festival
Roland Peelman, Artistic Director of the Canberra International Music Festival, gears up to present a powerful 2023 festival with a…
Disruption in the arts and cultural sector
Profound changes in the creative landscape are being led by new technologies and creative entrepreneurs using different forms of financing…
Voices of resistance: Iranian artists using art to amplify calls for freedom
As protests for women’s freedom in Iran enter the seventh month, Iranian artists around the world continue to support the…
Curatorial takeover positions 'gathering' at its heart
Arts House’s new Equity-Builder will see guest curators demand new modes of engagement to translate the impact of programming into…
Rethinking performance, exhibition and documentation through dance
From dance experimentations in the 70s to more recent performance-exhibitions, what does it mean to look at dance in a…
Three bestselling Australian authors you may never have heard of
With one in four books now self-published, some of the most successful writers fly under the radar in the literary…
Exit interview: Annette Downs, Performing Lines TAS
The producer looks back on her experiences with Performing Lines and considers the ways Tasmania has changed in that time.
As Australia’s nuclear sub fate is sealed, memories of Maralinga resurface in art
The Australian art canon has a lot to say on the prominent themes currently making headlines.