Features
Tarnanthi 2023 weaves personal stories with skyward visions
From the miniature to the epic, this year’s Tarnanthi group show is united in its capacity to takes us to…
Interview with the creatives behind Sweet Juices
In conversation with Sydney-based co-directors Will Suen and Sejon Im, and their irreverent and rumbustious short film, ‘Sweet Juices’.
Breasts in art: a tender celebration
Revered, adored, feared – breasts are rarely just another body part in art. For Breast Cancer Awareness Month we take…
Just an Inquiry or a golden opportunity?
Arts sector leaders respond to the launch of the Commonwealth Government COVID-19 Response Inquiry.
Australian theatre companies are shunning Shakespeare. A much-needed break or a mistake?
In 2024 not one mainstage theatre company in Australia will perform Shakespeare and this overcorrection leaves us poorer, argues Caitlin…
‘A glorious anomaly’: would the Sydney Opera House be built today?
Why does the Opera House remain an anomaly in Australia's cultural infrastructure landscape? And would it be built today?
New look at photography
Bringing together works from the NGV collection over nearly 140 years, ‘Photography: Real and Imagined’ considers the depth and breadth…
Shifting the dial on pregnant dancers on stage
It wasn’t long ago that pregnancy could signal the end of a dancer’s career. Thankfully, things have changed, with companies…
Australian Performing Arts Forum 2023: an overview and summary
An overview of the recent Australian Performing Arts Forum 2023, held in Meanjin/Brisbane.
What sustains staff in an event economy
Staff, who have worked with Sculpture by the Sea for over a decade, speak about what is needed to keep…