Features
ArtsHub's top 10 arts organisations to work for
If you could pick the organisation you wanted to work for, what would it be? We outline 10 of the…
Organisational Insight: Polyglot Theatre
Simon Abrahams, General Manager of Polyglot Theatre likes to think of it as the little company that could. From losing…
Sugar Mountain's Creative Director Pete Keen
As Pete Keen bounds up Little Lonsdale Street, it’s pretty clear he’s a man with energy to burn. The wiry…
Alicia Talbot
Alicia is the Artistic Director of Urban Theatre Projects and is currently in rehearsals with Buried City, a UTP co-production…
Mining and the arts
Mining and the arts is not necessarily a marriage that immediately springs to mind, but mining can and is doing…
Do you need further qualifications?
Extra qualifications are becoming more important for everyone, and the arts sector is not immune. Just about everyone feels like…
ArtsHub's ones to watch out for in 2012
Many people throughout Australia are being recognised for groundbreaking work in the arts throughout 2011, but based on the year…
The VCA’s sense of renewal
There’s a very good spirit at VCA now, says Prof Su Baker. ‘There’s nothing like a sense of renewal to…
The role of the board
There are all sorts of boards; big boards, small boards, new boards and old boards but they all hold the…
How do you get head hunted?
If you’re looking to move into a leadership role or between such roles it may well be an executive search…