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Q&A

Gorkem Acaroglu

Gorkem Acaroglu is the Creative Producer/CEO of Melbourne Workers Theatre. In 2010 Gorkem implemented the company’s new vision and commitment…

Features

Performing arts students go regional

Performing arts students are pushing prestigious city colleges aside in favour of their regional counterparts, and are finding new opportunities…

Features

Working inside a women’s prison

Kharen Harper knows what it’s like to work with people in extreme circumstances. Her work with prisoners and the disadvantaged…

Features

Change management in the arts

Change management is something of a business jargon buzzword but it is an important management tool for any organisation that…

Features

Portrait of a dickhead - Andy Wear

Andy Wear made headlines this week when he battered and fried a Sydney Nolan sketch to raise money for a…

Features

ArtsHub's top 10 arts organisations to work for

If you could pick the organisation you wanted to work for, what would it be? We outline 10 of the…

Features

Organisational Insight: Polyglot Theatre

Simon Abrahams, General Manager of Polyglot Theatre likes to think of it as the little company that could. From losing…

Features

Sugar Mountain's Creative Director Pete Keen

As Pete Keen bounds up Little Lonsdale Street, it’s pretty clear he’s a man with energy to burn. The wiry…

Q&A

Alicia Talbot

Alicia is the Artistic Director of Urban Theatre Projects and is currently in rehearsals with Buried City, a UTP co-production…

Features

Mining and the arts

Mining and the arts is not necessarily a marriage that immediately springs to mind, but mining can and is doing…

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