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Tim Newth exit interview. A black and white photo of a diverse group of performers in a rehearsal room. Tim Newth, a older man, stands at the rear holding a wire-framed fish prop over his head.
Features

Exit interview: Tim Newth AM, Tracks Dance Company

From active listening to rethinking what it means to be an Australian artist, Tim Newth reflects on a 35-year practice…

Celebrate Arts Project Australia's 50th anniversary at the Northcote Studio Open Day. Photo: Supplied. APA artists at work in the studio. Artworks and material can be seen on walls and laid out on tables, with around 10 people inside the studio.
Features

Arts Project Australia celebrates 50-year milestone and looks to the future

APA Executive Director Liz Nowell shares reflections on the organisation's longevity and future ambitions, including aiming for a shot at…

overseas literary residencies. Image is of a passport, a little toy plan, a sunhat, notebook and sunglasses - all on the wooden boards of a tabletop.
Features

Overseas literary residences: inspiration will last longer than the trip

What are some of the benefits and challenges of applying for an overseas literary residence?

Emma Dean, a Brisbane artist, plays the piano and sings in the microphone. She and other artists compete with international star Taylor Swift.
Features

Is Taylor Swift a good role model for Australian artists?

Taylor Swift has changed everything about the music industry. But where does that leave Aussie artists?

A poetry slam at Sonic Poetry Festival with Lane Milburn, Hayley Ricketson and Jason Voss. Photo: Brendan Bonsack.
Features

Spoken word poetry: screaming their truths

To acknowledge and celebrate World Poetry Day, ArtsHub explores some grassroots spoken word festivals and speaks to their participants.

A young woman in a tutu is in an underground railway carriage and swirling around a pole.
Features

The Artist's Way Week 3: Recovering a sense of power

Growth can be erratic and uncomfortable, but it's all part of the process. This week we look at anger, shame…

Members of the cast from ‘Akaraka’ by Amarachi and produced by Empty Seat Theatre. Photo: Cameron Grant. Two people standing close to each other with their hands on the person seated in front of them, smiling. Two more people are standing at the back and off to the right hand side, their hands are held together looking slightly serious. All members of the cast have dark skin brown skin and black hair, with a red-orange background.
Features

'It's an Australian play': how a new CALD theatre company is turning the tables on diversity

‘Akaraka’ and Empty Seat Theatre are built by creatives who hope to lead change by example, one show at a…

Rebecca F Kuang speaking at All About Women 2024, Sydney Opera House. Photo: Jaimi Joy. Kuang is wearing a black sleeveless dress with floral patterns with her hands raised in the middle of explaining something. She has black tied-up hair and a black fringe. On the left is the cover of ‘Yellowface’, with two slanted almond eyes on a bright yellow background.
Features

Yellowface: insights from Rebecca F Kuang

Rebecca F Kuang’s debut literary fiction, ‘Yellowface’ has taken the publishing world by storm. She revealed more about the book's…

Jumaadi, ‘Malaikat [Angel I]’, 2019-. Acrylic on buffalo hide. Collection of the artist. Image: Supplied. A detailed work depicting two figures flying with white wings and meeting each other in the centre. They both have two eyes on the side of their heads. In the background is an irregular oval with a circle of trees inside and a white bird on the bottom right corner.
Features

Forming amicable relations between adversarial nations through art

Australian and Indonesian artists traverse a political divide to find common ground and bring distinct ways of addressing shared concerns.

a montage of sepia toned 18th and 19th century illustrated portraits of 18th and 19th century Australian convicts and First Nations people.
Features

Major new museum show unshackles convict stories from myth

The exhibition spotlights freedom fighters among Australia’s early convicts to reframe well-worn narratives around their fates as dispossessed victims. Instead,…

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