Features
Working in Asia: No place for the individual
The artists as individual, innovator or iconoclast are Western archetype unhelpful in working with Asian art.
Eight radical ways to change arts funding
Were any arts funding bodies or philanthropists brave enough to implement these suggestions from the US they might come close…
Cultural capitals: Canberra
There's more to Canberra than politics and public servants, as the latest instalment of our Cultural Capitals series shows.
What science and the arts can teach each other
Not everyone can be Leonardo da Vinci, but working collaboratively across disciplines enriches us all.
Accents on stage: when and why to use them
Accents are an important aspect of the actor’s arsenal but when is it time to fire with both barrels versus…
Putting literary audiences first
In the literary world, we regularly talk about writers, publishing, events and festivals, bookselling, critics and criticism, and the media…
Challenging the myth of sport versus art
With sport at the centre of a photography exhibition and a new theatre work transforming football into dance, is the…
How not to lose money on your first Fringe show
Advice from the experts on staging a Fringe Festival show without breaking the bank.
Working in Asia: A different sense of space
Appropriate museum display of Asian art requires an understanding of Eastern philosophy.
Star Gazing: looking beyond Queensland
Approaching GOMA's tenth anniversary, we speak with Chris Saines on his vision for the Brisbane gallery and its international footprint…