Features
Exit Interview: Tamara Winikoff
Tamara Winikoff has been at the helm of NAVA, the national peak body for the visual arts, for 22 years.…
Learning Curves: Clare Watson
Black Swan’s Artistic Director looks back at her first year in Perth, having relocated from Melbourne last October, and discusses…
Path to collaboration-led reconciliation
Parliament House is more than a location for sitting politicians; it is the meeting place for artists Imants Tillers and…
Why haven’t more companies explored live streaming?
Streaming theatre, opera and dance productions live into cinemas has succeeded overseas, so what's holding local companies back?
This is not a rehang; it’s a rewriting of Australian art
Queensland Art Gallery’s new hang of Australian art offers the next chapter in the history wars, getting the story finally…
Indigenous photography – complex, contemporary, surprising and fresh
If the well-used adage that a picture speaks a thousand words is true, what is the current focus on Indigenous…
Facebook vs Face to Face: Analogue bodies in a digital world
From robots and long-distance rehearsals, to new models of collaboration and company structures, technology will change all our lives.
Tasmanian ecology shifts as festivals move out of Hobart
Will the relocation of Ten Days on the Island and Mona Foma away from Hobart help heal Tasmania’s long-standing north-south…
The entrepreneurial value of wild ideas
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work…
Exit interview: Lindy Hume
After almost six years as Artistic Director of Opera Queensland, Lindy Hume shares her experiences of running the AMPAG company…