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Like DVD extras but live: ancillary programming in Australian theatre

Associated programming is a way to connect aspiring creatives with the wider theatre community.

Features

Incubating ideas needs more than a hip share office

Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving…

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Out of character: how acting puts a mental strain on performers

Healthier work habits are needed in the theatre so that actors can leave roles behind them and avoid emotional hangovers…

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Spray gun philosophy: Katharina Grosse on painting

A new installation at Carriageworks is the next chapter in Grosse’s somewhat unorthodox journey with painting. What drives her and…

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Free to fail: the joy of risk in the regions

Programming any new work can be a risk, given that it’s harder to market and sell the unknown. But regional…

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Rocky Horror allegations throw a spotlight on acting boundaries, on and off stage

Where do the boundaries lie between exploring every possibility an acting role offers and still behaving appropriately, with respect to…

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What to look out for in 2018: performing arts

We’ve scoured season brochures and websites for the upcoming year; here are some of the many productions and performances we…

Features

Far from being in crisis, 2017 was a great year for Australian musical theatre

A culture of developing and performing home-grown Musical Theatre is building and we are moving towards more commercial productions of…

Features

How painting escaped the canvas and another brush with death

Expanded painting frees us from having to find the timeless essence of painting. Instead it's a changing pact between artist,…

Features

The Big List: the visual arts in 2017

2017 was big: big empathy, big blockbusters, big harassment, big lobbying and big shifts in the visual arts ecology as…

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