Features
What the arts sector wants from Budget 2019
From small companies to peak bodies, we’ve canvased the country for expectations of the Federal Budget.
Why WA’s Chamber of Arts and Culture is a good model for all
Essentially a lobbying body, WA’s Chamber of Arts and Culture sits between and across government, business, philanthropy and arts organisations…
Exit Interview: Stefano Carboni, in hindsight
After a decade of steering the Art Gallery of WA through the highs and the lows, Director Stefano Carboni prepares…
Inside the mind of an art patron
What drives a collector to amass artworks, build a multi-million dollar museum to house them, then happily hand it over?
How it feels to be trapped by your environment
A new installation created by Perth-based artist Bruno Booth gives insight into the hostile infrastructural environment which people living with…
Exit interview: Geordie Brookman, State Theatre Company SA
Brookman looks back on the challenges and highlights of his term as Artistic Director after seven years at the company’s…
Onstage Dating: a comedy about intimacy and power dynamics
After several seasons of her live art comedy, Bron Batten has realised the show says more about how men behave…
Karen Quinlan’s blue-sky thinking for the National Portrait Gallery
After two months in the role, ArtsHub speaks with NPG’s new Director, Karen Quinlan, about her international aspirations and understanding…
9 electric quotes on diversity from industry experts
A panel at the Fair Play Symposium highlighted that ‘the need for change can be met with defensiveness and discomfort’.
Why we should celebrate the aging body in dance
Beautiful and athletic bodies are all well and good, but senior dancers bring refinement, emotional depth and a wealth of…