Features
Exit Interview: Alice Nash, Back to Back Theatre
As she prepares to move on to a new role at the Australia Council, Alice Nash looks back on almost…
Rethinking the slippery truth in photography
Peeling back our hinged relationship with photography as a purveyor of truth, Isobel Parker Philip's exhibition 'Shadow catchers' is a…
Under pressure, Rhana Devenport says the only way is up
A year in, AGSA Director Rhana Devenport speaks on surviving the shifting cultural landscape in SA, and how to hold…
Top 12 articles to empower women in the arts
We went back through the archives, here are our most read stories around empowering women in the arts and debunking…
Representation, diversity and the colourful world of LGBTIQ kids’ books
There are more LGBTIQ books for kids than ever before. We examine how books are giving queer kids and families…
How focusing on the sector’s vitamin deficiencies makes work stronger
Perhaps best known as a touring body, Performing Lines has a key role to play in strengthening the sector by…
Building resilience into your arts practice
Sustaining work in the arts is always a challenge, but in times of adversity it can be even harder to…
How NIRIN contests history by placing art at the edge
Artistic Director Brook Andrew says, 'NIRIN is not a periphery, it is our centre'. We take a look at two…
Adelaide Fringe at 60
Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and…
Life sentences – what creative writing by prisoners tells us about the inside
Arts education is a powerful way to prevent prisoners from reoffending once they leave jail.