Features
Art is never finished, only abandoned
Can we ever call a work finished? Leonardo Da Vinci said no; rather, we just abandon. We speak with artists…
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
8 ways managers can use fiction to prepare for an uncertain reality
It’s a brave new business world, but turning to novelists can help managers explore possible future scenarios.
What should WA’s arts priorities be post-election?
Arts leaders from a range of companies offer their arts policy suggestions and ideas for whichever party next forms government…
Fireflies Press is a labour of love and cinephilia
Annabel Brady Brown talks about the birth of a new venture that brings together a global community of film lovers…
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
How the New Normal needs to become the Future Normal
While COVID brought us new conversations around digital pivots and hybrid working models, the real future normal is how to…
The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…
Scrapping six Dr Seuss books is not cancel culture
Dr Seuss’s work contains racism and xenophobia, but should we judge him by today’s standards?
Q&A: Artist Wiliiam Yang on growing up gay and Chinese
He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity…