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JobKeeper 2.0 for sole traders

Here's a rundown of Jobkeeper 2.0, and what the changes to the program might mean for sole traders.

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NYWF 2020 brings the best of digital programming

National Young Writers Festival is going online from 1-4 October, and their program delves deep into the possibilities that digital…

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How to channel your anger into art

Cage the rage or unleash the beast? Verity Johnson speaks to artists and experts in Aotearoa for this guide to…

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20x20: Sheilas in the art market – gender bias goes commercial

In 2018, the art fair Sydney Contemporary was the setting for a debate on ‘gender discounting’ and fair pair in…

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Communication in COVID and beyond

Co-presented by ArtsHub and Creative Victoria, the third in our Recovery Roadmap Webinars discussed the importance of personalised communication, how…

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Theatre companies push storytelling boundaries with online audiences in COVID-19

One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a…

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Creating COVID-safe super venues and sharing the stage

While the conditions for opening up theatres may not be ideal, they beat another half-watched livestream playing to a handful…

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Why we need the joy that art provides

The 2020 Brisbane Festival aims to 'surprise and delight' its audience, says Artistic Director Louise Bezzina.

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7 peak orgs on Disablity Arts - making and taking space are not the same

Arts access sector and disabilities-led conversations need wider sector commitment beyond ticking boxes to create genuine spaces at the table.

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Is corporate art collecting still a thing?

The corporate art collection may have changed since the ‘greed is good’ days but it still has an important role…

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