Features
Sally Rees' exhibition on cronehood, women and success
As Rees’ crone is born across her exhibition at Mona, a sense of the inevitability of aging is developed with…
Connecting with Country through theatre
Mitch King's new work is about storytelling on Country, with and for the community, and about the Yaegl people's connection…
The limits of advocacy: arts sector told to stop worrying and be happy
Economic arguments about the arts' value aren't working, say Justin O'Connor, Julian Meyrick and Tully Barnett; we need to assert…
Balancing the scales of women’s representation in fine music
She Speaks, a day of concerts and conversations presented by the Adelaide Symphony Orchestra, celebrates the works of female composers…
'I really want to ground ADT on Kaurna Country.' Daniel Riley on taking the reins
Wiradjuri man Daniel Riley will be the sixth Artistic Director of Australian Dance Theatre in 56 years, and the first…
How portraiture has changed (or not) in 100 years
On the occasion of the Archibald Prize turning 100, we look at what that history means to contemporary making, drawing…
Hetti Perkin's 4th Indigenous Triennial encourages everyday ceremony
ArtsHub speaks with Aboriginal curator Hetti Perkins about the 35 artists shaping the next Indigenous Triennial and how ceremony is…
15 years of amplifying Tasmanian voices
Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…
The illuminating ‘Dark Side’ of mental health, as artists see it
A new exhibition and suite of programs across the Edith Cowan University and the National Art School pool thinking and…
Exit Interview: Dr Wendy Were, Director Advocacy and Development, Australia Council
From international engagement strategies to showing how Australian's value culture, Wendy Were has ushered in new research for change -…