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Features

Exit interview: Sean Pardy, Brown’s Mart Theatre

In his time at Brown's Mart, Pardy has witnessed the NT arts ecology strengthen and expand.

a giant puppet made of wire being manipulated by puppeteers in a park at night
Features

Puppet theatre knows no bounds

The efforts of WA's Spare Parts Puppet Theatre over four decades proves the powerful contribution small to medium companies make…

Features

NFT rights for artists and buyers

Intrigued by NFTs? A legal expert unveils complexities surrounding ownership, copyright and NFT royalties.

Features

What regional theatre needs to thrive

We take a wide-ranging look at the challenges facing three North Queensland theatre companies, their inspiring and passionate leaders, and…

Features

Site responsive biennale crosses ocean and sky

The Fremantle Biennale has commissioned more young WA artists than ever before.

Features

Celebrating 40 years of Terrapin

Four decades on, Tasmania's beloved puppet company is thriving.

Features

Crafts sector seek national policy

The uptake in craft and design is not reflected in revised policy.

Features

Jane Austen: evergreen (i)con

Austen Con 21 returns with a hybrid live and digital model.

Features

Australian theatre in crisis

The ecosystem of Australia’s performing arts sector is in dire need.

a diverse group of people on stage singing and having a good time
Features

Reopening Sydney theatre COVID-safely

Hamilton and Come From Away are reopening in Sydney as part of NSW’s roadmap back from COVID. What can audiences…

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