Features
Necrobarista, money, and the miserable business of artistic games
The lead artist on the award-winning Melbourne game alleges missing and inconsistent payments, and poor workplace culture. These issues are…
The Power of Visibility: beating the mid-career blahs
Even introverts can shine in their own ways. Challenge your fears and put yourself out there with these ideas from…
Story vs song: juggling the needs of different narrative forms
The narrative needs of theatre and songwriting can differ significantly, so how do you go about fusing them together in…
7 steps to building the perfect arts board
A strong Board can be essential to a flourishing arts organisation. But what does that look like and how can…
First Nations Languages onstage: a new era
As part of NAIDOC week 2021, ArtsHub spoke with three prominent First Nations performing arts leaders who discussed the surging…
Preparing for a National Arts, Culture and Creativity Plan: Webinar 2
Kate Fielding, CEO of A New Approach, discusses some of the current thinking around the development of a new national…
Principles or pragmatism: does it matter where arts sponsorship comes from?
From Perth to London, the question of arts organisations taking money from the fossil fuel industry is being hotly debated,…
What does ‘international’ mean post pandemic for exhibition programming
As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…
Creating better mental health in the performing arts
How do mental health professionals change their approach when working with artists? In a recent panel discussion, psychologists looked at…
Haunting history play to premiere at new First Nations festival
There’s a special feeling on Boorloo boodja (Perth country) in the lead up to Black Swan State Theatre Company’s inaugural…