Features
How a festival's legacy shifts perception
With 1.4 million people having attended Tarnanthi since its inception, ArtsHub takes a look at the festival’s impact in shifting…
Robot art moves from cult to collections
While Squid Game and Ai-Da are trending, what's the state of robots in art? How is it impacting Australian galleries…
Art and science against the climate crisis
From COVID to climate, Rose Hiscock presents the collaborative power of arts and science to dispel myths and provoke action.
Away at 35: Michael Gow's masterpiece
Gow's much-loved play is a reflection of a grieving Australia, writes David Burton.
Exit interview: Sean Pardy, Brown’s Mart Theatre
In his time at Brown's Mart, Pardy has witnessed the NT arts ecology strengthen and expand.
Puppet theatre knows no bounds
The efforts of WA's Spare Parts Puppet Theatre over four decades proves the powerful contribution small to medium companies make…
NFT rights for artists and buyers
Intrigued by NFTs? A legal expert unveils complexities surrounding ownership, copyright and NFT royalties.
What regional theatre needs to thrive
We take a wide-ranging look at the challenges facing three North Queensland theatre companies, their inspiring and passionate leaders, and…
Site responsive biennale crosses ocean and sky
The Fremantle Biennale has commissioned more young WA artists than ever before.
Celebrating 40 years of Terrapin
Four decades on, Tasmania's beloved puppet company is thriving.