Search News

See all news

Features

Features

Who will show at the Australia Pavilion in Venice 2024?

While past stats of the Australia Pavilion show certain trends, a relatively new open call format and global rethink might…

Features

How do we stop losing artists from the sector? 

Arts leaders Zainab Syed, Emma Porteus and Dr Georgie McClean discuss the urgent matter of why artists and arts workers…

Children playing in a tent - The Globe - for Circus Festival
Features

Fighting back, the survival of the National Circus Festival

Last held in the Mullumbimby showgrounds in 2017, the National Circus Festival is making a welcome return after a five-year…

Features

Why the Queen was a good ‘subject’

Aussie artists share why they were compelled to capture the Queen in their work.

a woman's hands holding a sign saying #MeToo in bold letters
Features

How much has #MeToo achieved for safer arts workplaces?

Five years on from when women rallied over issues of sexual misconduct at work – how much has change in…

Features

Male artists dominate galleries

New research explored whether gender imbalance in galleries is because ‘women don’t paint very well’ – or just discrimination.

Features

Is climate change turning the blowtorch on outdoor theatre?

Open-air staging has always been a gamble. Climate change is shifting the odds.

woman running in the country
Features

Art in regional Queensland facing rising cultural stakes

A recent case of 'censorship' in a regional Queensland gallery has again raised questions of ignorance over respecting professionalism.

News

Automated plagiarism: Furore over ‘computer’ winning art prize

Turf wars between artists and AI generators - a topic that is the tip of an iceberg worthy of a…

Evasion Score II (Domestic Security), 2021. Image: Roslyn Orlando
Features

Digital intimacies and echoes in space

Roslyn Orlando's work explores connection and togetherness in the digital realm.

1 120 121 122 123 124 448