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Features

Why the Queen was a good ‘subject’

Aussie artists share why they were compelled to capture the Queen in their work.

a woman's hands holding a sign saying #MeToo in bold letters
Features

How much has #MeToo achieved for safer arts workplaces?

Five years on from when women rallied over issues of sexual misconduct at work – how much has change in…

Features

Male artists dominate galleries

New research explored whether gender imbalance in galleries is because ‘women don’t paint very well’ – or just discrimination.

Features

Is climate change turning the blowtorch on outdoor theatre?

Open-air staging has always been a gamble. Climate change is shifting the odds.

woman running in the country
Features

Art in regional Queensland facing rising cultural stakes

A recent case of 'censorship' in a regional Queensland gallery has again raised questions of ignorance over respecting professionalism.

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Automated plagiarism: Furore over ‘computer’ winning art prize

Turf wars between artists and AI generators - a topic that is the tip of an iceberg worthy of a…

Evasion Score II (Domestic Security), 2021. Image: Roslyn Orlando
Features

Digital intimacies and echoes in space

Roslyn Orlando's work explores connection and togetherness in the digital realm.

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Flooded theatre; the show goes on... in a pub

NORPA’s love letter to the region is a testament to the company’s ongoing resilience and fortitude.

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Putting the arts in the Jobs and Skills Summit agenda

What the Jobs and Skills Summit means (or doesn't) for the arts' future employment opportunities.

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Festival that makes the digital a physical experience

BLEED ‘22 stages its second iteration in a hybrid model to examine what digital works can teach us about physical…

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