Career Advice
On the Move: Latest sector appointments and departures
New interim directors for Montsalvat, a new CEO for No Strings Attached Theatre of Disability, board for new Arts Capital…
20x20: Why you need courage – not talent – as a creative
As 2020 closes, we look back at this article by Madeleine Dore who argues that courage more than confidence is…
Exit Interview: Zara Stanhope, QAGOMA Curatorial Manager, Asian and Pacific Art
Serving artists and creating a safe and welcome space for creatives of all backgrounds to work were Zara Stanhope's greatest…
20x20: Get em young and reap the long-term outcomes
Research has shown that over 60% of recent arts visitors first attended cultural organisations as children. We revisit this topic…
20x20: Bullying in the arts is a real problem
For ArtsHub's 20th anniversary, we look back and ask: are the arts facing the same degree of bullying, or have…
So you want my arts job: Mona Director of Museum Concept and Vision
With an obscure title – and one totally befitting to the unique Mona brand – Elizabeth Pearce tells us about…
Introducing Sarah Schmidt, CMAG’s new Director
With a regional gallery pedigree, topped off by diplomatic cultural relations, Sarah Schmidt brings a unique perspective to the Canberra…
What to do if your job sucks
How do you know if it's time to call it quits or to stay on? A checklist to read before…
So you want my arts job: ARI Director
Being an ARI Director is extremely collaborative, says Rebecca Gallo, an artist and founding member of Pari, in Sydney's West.…
Exit Interview: Mikala Tai, Director 4A
At 4A, Mikala Tai fought for the legitimacy of contemporary Asian art in the Australian context. Her success is a…