Finding power in (not providing) translation

‘James Nguyen: Open Glossary’ considers the nuances of translation and being multilingual. What happens when we shift the dynamics of…

Performance review: The Blood Vote, Gasworks Arts Park

Fusing opera and circus, The Blood Vote by composer Jenny Game and librettist Caitlin Vincent sees Australian suffragist Vida Goldstein…

Master of Interior Design

First Nations display renews in vision and scope

Wurrdha Marra at The Ian Potter Centre: NGV Australia is an ever-evolving space to create new encounters with First Nations…

Performance Reviews: HIGH PONY, LOOPS, Black Widow, Melbourne Fringe Festival

Four Melbourne Fringe Festival works show the range on offer, from comedy to circus, cabaret and street tours.

Theatre review: Lady Day at Emerson's Bar & Grill, Belvoir St Theatre

Every element of this journey into the closing stages of Billie Holiday's life and career is entrancing from start to…

Phantom’s Sarah Brightman to star in new Australian production of Sunset Boulevard

‘All right Mr DeMille, I’m ready for my close-up’: Brightman to play deranged silent picture star Norma Desmond in lavish…

Performance reviews: The Hotline, Poet No.7 and Zaffé, Melbourne Fringe Festival

An on-demand pregnancy hotline, post-apocalyptic Melbourne and reimagining of a traditional Lebanese wedding at Melbourne Fringe 2023.

National summit aims to strengthen Australian circus sector

Next week 200 delegates will attend the Australian Circus Summit at NICA, which will also be the venue for a…

Performance review: Elvis: A Musical Revolution, Athenaeum Theatre

With two rock and pop musicals opening in Melbourne on the same night, a show about the King manages to…