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Line-up of nine people standing in front of Arts Access Victoria's office, each window displaying art images of faces
Opinions & Analysis

Mapping the future for Disability Arts in Australia

A week-long residency provided potential pathways for Deaf and Disability arts in Australia.

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Dome screening review: XYZZY: Jess Johnson and Simon Ward, Neversphere

‘XYZZY’ is a visual and aural journey that tilts our world upside down.

Features

Overcoming threshold anxiety

Geelong Arts Centre’s redevelopment opens the venue up to the public eye, in a way that’s deliberately designed to ensure…

News

The LEGO exhibition that ranked number one at 167-year-old museum

With a lot of LEGO bricks and even more creativity, 'RELICS: A New World Arises' topped attendance records at South…

Features

The darkness of the image

‘Walking Through the Darkness’ at Centre for Contemporary Photography grapples with the paradoxes of darkness, technically and thematically.

picture of new proposed train station
Sponsored

Calling for an artist and a writer to transform a station

There is an opportunity for two creatives to envisage major signature artworks as part of the South Geelong to Waurn…

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Exhibition review: The Huxleys: DisGraceland, Abbotsford Convent

Love, expression, freedom and glam in The Huxleys’ latest exhibition ‘DisGraceland’, commissioned by Vogue Australia.

Pier and city scape on a cold winter evening. Light installations on top of poles in the water, with a blue light beam in the background.
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Event review: Now or Never Art Trail, Victoria Harbour Promenade Docklands

Crowd-pleasers set the tone at Melbourne’s inaugural Now or Never festival.

view of abstract art in light filled new Melbourne gallery project8
Features

project8: why it's an interesting new gallery model

New Melbourne gallery, project8, blends academic research with artist-led curatorial practice, philanthropy and commercial outcomes.

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Theatre review: Escaped Alone and What If If Only, Southbank Theatre

The MTC’s Caryl Churchill double bill is technically and dramatically sound, but doesn’t fully exploit the radical force of this…

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