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Gabber Modus Operandi performing at Royal Exhibition Building as part of Now or Never 2024. A performer is at the front of a stage wearing puffy sleeves and a face cover, with a large-scale projection of a human face behind. The stage is aglow in red light.
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Music review: Ben Frost/CORIN/ Eartheater/Gabber Modus Operandi, Now or Never 2024

An epic takeover of the Royal Exhibition Building took full advantage of the massive space with an incredible lineup.

The musicians of the Melbourne Symphony Orchestra arrayed on stage in a grand concert hall.
News

Managing Director leaves MSO: Peter Garrett to conduct independent external review

Sophie Galaise has left the MSO after the Orchestra’s musicians made a statement of 'no confidence' in senior management.

In the middle of a swirling foggy dark stage with a bright spotlight behind two silhouetted figures stand. The monster creation is carrying Dr Frankenstein in his arms.
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Theatre review: Frankenstein, Princess Theatre

Video screens and stage effects amplify Shelley's classic novel.

A blonde woman in a red and white print dress and a white cardigan is standing with her head bent to one side and looking down.
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Theatre review: Milk and Blood, fortyfivedownstairs

Two separate monologues explore themes of violence.

Lounge in the shape of a city skyline with a red sun cushion in the center. Design.
News

Spring design update: 12 exhibitions you need to see

ArtsHub helps you plan your design calendar for September, with an eye on sustainability and new work.

The exterior of CCP’s Fitzroy home. A rectangular white brick building at dusk.
News

A giant in photography falls – for now

The Centre for Contemporary Photography has laid off staff and will vacate its existing premises at the end of this…

A person dances barefoot in a shaft of light. They wear a long green pleated skirt, a metallic bronze sleeveless top, and stand with one arm raised above their long hair and another hand on their hip.
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Performance review: Interior, The Substation

The latest Rawcus production is a slow burn, evoking warmth and personal reflection.

Mindy Meng Wang and Monica Lim, ‘Guài 怪’, installation view as part of ‘SCI-FI: Mythologies Transformed’. An installation of three video scenes that are interactive with a participant standing in front of it with arms outstretched, seemingly controlling a digital avatar.
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Exhibition review: SCI-FI: Mythologies Transformed, Science Gallery Melbourne

Disrupting gender and racial stereotypes in sci-fi.

A huge repurposed wool shed with an audience inside looking to the left.
Features

Dunkeld Writers Festival – why would you want to be anywhere else?

This weekend's Dunkeld Writers Festival will explore the landscape and the memories it holds.

‘Candice Lin: The Sex Life of Stone’, installation view at MUMA. An installation resembling three work stations with different lab equipment and large ceramic vessels beside each station. The space is filled with natural light thanks to a floor to ceiling window on the left side. The walls of the gallery space are paintings in a dark mahogany colour.
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Exhibition review: Candice Lin: The Sex Life of Stone, MUMA

Mineral politics, animal kinship and dark demonic romance come together in the work of Chinese American multidisciplinary artist Candice Lin.

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