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Katrina Sedgwick is standing on stage in front of a large projector screen presenting a slide that includes an architectural render of The Fox: NGV Contemporary.
Features

The rise of global arts precincts

Melbourne Arts Precinct was presented to global audiences, alongside four other significant developments, at the Hong Kong International Cultural Summit.

News

Melbourne International Comedy Festival and ArtsHub join forces

The MICF kicks off and this year ArtsHub is up for a laugh too...

News

7 climate inspired artworks that make you think

With the NGV Triennial soon to close, we take a look at some of the exhibition's inherent messages around climate…

Akaraka. A dark set with two people of African appearance, a woman with braided hair and a wraparound shoulderless costume, wearing a red necklace and an older seated man, dressed in regal robes with a red hat.
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Theatre review: Akaraka, The Substation

Akaraka grapples with topics related to the West African diaspora in Australia.

Beast in the Room. A stage set featuring packing pallets and foliage surround a middle-aged woman and a teenaged boy who sit downstage, crosslegged facing each other.
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Theatre review: Beast in the Room, Theatre Works

A short, sharp two-person show that packs a punch.

‘Top Arts 2024’, installation view at The Ian Potter Centre: NGV Australia. Photo: Kate Shanasy. Three people looking at artwork inside a spacious gallery with white walls and grey concrete floor.
Opinions & Analysis

Top Arts 2024: five student artists to watch

With an overall strong cohort of VCE student artists, ‘Top Arts 2024’ exemplifies dedication and thoughtfulness from young stars.

Laure Prouvost, ‘Gathering Ho Ma, The glaneuse’, 2023, installation view at ACCA. Photo: ArtsHub. An installation of many components include a makeshift camp with red dirt and branches, seats, a hanging lightbulb shaped like a breast.
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Exhibition review: Laure Prouvost: Oui Move In You, ACCA

Layers of storytelling and humour that leave viewers wanting more.

Still from ‘Ryuichi Sakamoto | Opus’. Image: Supplied. A black and white image of Sakamoto, a Japanese man in his 70s with white hair, tortoiseshell glasses and a black blazer at the piano. He is sifting through some sheet music.
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Screening review: Ryuichi Sakamoto | Opus, Melbourne Recital Centre

With deep involvement from the late composer’s son and wife, ‘Opus’ captures Ryuichi Sakamoto in dazzling body and soul.

Speakers at Brisbane Writers Festival 2023. Photo: Markus Ravik. Five people sitting on stage with an animated projection behind them. The person in the centre is holding her hands up, with the man on the left gesturing towards her. The rest of the speakers are laughing.
News

Two writers' festivals reveal their 2024 programs

From politics to poetry, sports to sovereignty, Melbourne Writers Festival and Brisbane Writers Festival reveal their 2024 programs.

My Country. Image is in a black walled gallery where a low black rostrum holds a square three dimensional metal object with spikes on the top and a machine beneath the surface that turns the top, the spikes then plucking strings to make a sound.
Features

Connecting communities with My Country

The First Nations artists involved in this remarkable NGV exhibition are envisioning new ways to move forward together.

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