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Woman with yellow shirt, glasses, and big earrings, smiling, in front of Aboriginal painting. Lisa Slade.
Features

Exit interview: AGSA's Lisa Slade on blurring the zones

For Lisa Slade education and curatorial leadership have always blurred. ArtsHub speaks with her on leaving the Art Gallery of…

A grid of 18 prints in shades of blue are attached on a wall.
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Exhibition review: Michelle Hamer: I'm a Believer, Linden New Art

A series of prints that explores chronic health issues through a lens of gendered language, access, and erasure.

A woman is standing in front of a red curtain drape. She has dark hair and is dressed in black, with red trim. She is gesticulating, with arms stretched out, dramatically.
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Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel

A cabaret tribute to the scandalous 19th century dancer and performer.

Standing at a podium, his eyes closed in concentration, a bald-headed white man wearing a black suit and white shirt conducts an orchestra.
News

Singapore Symphony Orchestra set for 2025 Australian debut

Praised as one of the best orchestras in the world, the SSO performs in Sydney, Melbourne and Brisbane in February…

Exterior of old building with contemporary mirror entry. The Potter.
News

The Potter announces reopening exhibition for 2025

The Potter Museum of Art will reopen in 2025 with an epic rewriting of art history.

The lighting is blue. On the left a woman dressed up in metallic silver with matching headgear and long sharp nails is looking at a man in a black cloak and a mask on the right.
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Performance review: When Night Comes, The Austral

A multisensory immersive experience that blends theatre and cocktails.

The silhouette of a woman and a man can be seen behind a lit up sheet. Around them there are planks of wood, greenery and a TV set.
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Theatre review: The Last Train to Madeline, Meat Market Stables

A two-hander that tracks an evolving friendship through time.

Andrew Rogers, ‘Flora Exemplar 2’, 2020, bronze diptych. Photo: Courtesy of the artist. Bronze sculpture resembling flowers in a natural setting.
News

Rogers’ $6.1 million gift to university collection

Sculptor and land artist Andrew Rogers has gifted another 31 contemporary works to Deakin University to provide students access to…

Julia Slater-Allan and Sam Corr in ‘Cutting Onions’. Photo: Supplied. A woman sitting on the countertop based in purple light in a domestic sitting, gesturing to a man wearing a black hoodie.
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Theatre review: Cutting Onions, The MC Showroom

A visual extravaganza about modern relationships.

Natalie Gamsu. Photo: Marija Ivkovic. A person smiling brightly wearing a red top and black skirt, which she is holding in her hand.
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Theatre review: Shrapnel, fortyfivedownstairs

A production that celebrates Natalie Gamsu and invites the Jewish South African community to recall memories of their formative years.

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