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Review: Don't Be a C***: This is How, The Butterfly Club

A troubling piece of theatre that struggles to deliver.

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Review: Beside Myself by Sasha Marianna Salzmann

Beside Myself is fiction at its highest purpose – a debut novel that comes straight from the gates like a…

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How an indie company is working to engage new audiences

Pairing with local businesses with an established customer base can help transform unengaged audiences into cabaret fans.

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Review: MTC’s The Lady in the Van, and Malthouse's Barbara and the Camp Dogs

Melbourne’s two major theatre companies open significant productions a night apart, and never has the contrast between the companies been…

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Review: Zebra and Other Stories, by Debra Adelaide

Adelaide’s sharp, casual, to-the-point sentences are both silently aesthetic on the page and a pleasure to read aloud.

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Review: Become the One at Gasworks, Midsumma Festival

A tragedy representative not only of queer athletes and their partners but of the Australian Football League's persistence in modelling…

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Melbourne Writers Festival to call State Library Victoria home

After 10 years at Federation Square, Melbourne Writers Festival will now call the redeveloped State Library Victoria home.

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Stories of the Stolen Generations: How the arts told a hidden history

Music can help bring people onside before they even realise they are onside, says Aboriginal songwriter and survivor of the…

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Wangaratta Festival of Jazz & Blues postpones 30th anniversary celebrations until 2020

The festival has cancelled its 2019 iteration, pushing back its 30th anniversary until next year in order to develop new…

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Review: Underground Railroad Game, Malthouse Theatre

Arresting and unmissable production ripe for our times.

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