Victoria
Review: Japanese Modernism, NGV International (VIC)
Curated as a kind of ‘cabinet of curiosity’, the NGV’s exhibition celebrates a lively and energetic period of Japanese history.
Review: The Winter’s Tale, La Mama Theatre/Asia TOPA (VIC)
An enjoyable version of Shakespeare’s plot-heavy potboiler moves the action to 1920s Hong Kong and 1970s Australia.
Review: Sva Kranti, Footscray Community Arts Centre/Asia TOPA (VIC)
Mallika Sarabhai’s mixed-media performance is a call to action against injustice everywhere.
Review: A O Lang Pho, Arts Centre Melbourne/Asia TOPA (VIC)
Vietnamese Bamboo Circus’s stunning show embeds impressive physical skills in a vivid, cohesive narrative.
Review: Dragon Ladies Don’t Weep, Arts Centre Melbourne/Asia TOPA (VIC)
Margaret Leng Tan cuts a figure of elegance, grace and ferocity in this blend of piano, storytelling and projection art.
Review: Agatha Gothe-Snape – The Outcome is Certain, Monash University Museum of Art (VIC)
Through text, colour and technology, Gothe-Snape’s retrospective considers how the canon is written, rewritten and unwritten.
Review: Are You Ready to Take the Law Into Your Own Hands, Arts House/Asia TOPA (VIC)
Asia TOPA presents a high-energy musical delight with extraordinary use of video.
Review: The Curtain, fortyfivedownstairs (VIC)
An empathetic production about a community almost never seen onstage.
Review: Last Words, Kadimah Jewish Cultural Centre (VIC)
Joseph Sherman’s play is a brave, outstanding work that confronts the experience of Alzheimer’s.
Review: Beethoven 9, Circa and Cheetham, Arts Centre Melbourne (VIC)
Just as Beethoven’s Ninth blends instrumental music and choral music to thrilling effect, so too the fusion of orchestral music…