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Review: Dragon Ladies Don’t Weep, Arts Centre Melbourne/Asia TOPA (VIC)

Margaret Leng Tan cuts a figure of elegance, grace and ferocity in this blend of piano, storytelling and projection art.

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Review: Agatha Gothe-Snape – The Outcome is Certain, Monash University Museum of Art (VIC)

Through text, colour and technology, Gothe-Snape’s retrospective considers how the canon is written, rewritten and unwritten.

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Review: Are You Ready to Take the Law Into Your Own Hands, Arts House/Asia TOPA (VIC)

Asia TOPA presents a high-energy musical delight with extraordinary use of video.

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Review: The Curtain, fortyfivedownstairs (VIC)

An empathetic production about a community almost never seen onstage.

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Review: Last Words, Kadimah Jewish Cultural Centre (VIC)

Joseph Sherman’s play is a brave, outstanding work that confronts the experience of Alzheimer’s.

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Review: Beethoven 9, Circa and Cheetham, Arts Centre Melbourne (VIC)

Just as Beethoven’s Ninth blends instrumental music and choral music to thrilling effect, so too the fusion of orchestral music…

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Review: Memory Horizon, Heide Museum of Modern Art (VIC)

Carolyn Eskdale presents a thoughtful response to the architectural qualities of Sunday and John Reed’s former residence.

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Review: Terminus, Heide Museum of Modern Art (VIC)

Jess Johnson and Simon Ward’s exhibition combines virtual reality, textile works, and retrofuturistic aesthetics.

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Finding the poetry in an AI world

What does poetry look like in an algorithm-dominated world? The Library of Non-Human Books is attempting to answer that question.

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Review: The Importance of Being Earnest, Malthouse Theatre (VIC)

There’s never been anything quite like this iteration of Wilde’s sparkling comedy in which Jon Haynes and David Woods perform…

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