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An historical tale of race, resistance and sporting prowess

Plays like Black Cockatoo are an important way to explore contemporary Australia, says Ensemble Theatre’s Mark Kilmurry.

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Theatre review: The Chronic Cabaret, Fringe Rebound

A much-needed centring of disability and chronic illness wrapped in quality entertainment.

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Dance review: CASTILLO, Dancehouse

Choreography meets neurodiversity in this solo show.

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Heal and chill with community-centred festival

FUSE Darebin 2022 features 350 artists who want to give back to the community and contribute to a high-energy recovery.

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Theatre review: Solas, La Mama

A lesser known tale of James Joyce's daughter comes to the fore.

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Circus review: Girls with Altitude, Flying Fruit Fly Circus

Cartoons meet circus arts in this joyously feminist work inspired by the works of Judy Horacek.

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Dance review: Anna Karenina, The Australian Ballet

All the creative forces join to ensure power and sublimity in this dance interpretation of a classic novel.

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Dance review: Make Your Life Count, Arts House

A beguiling blend of dance and video that explores the vagaries of contemporary life.

Antony Tulloch, a man in a patterned shirt with crossed arms
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New CEO for Docklands Studios Melbourne

Stepping into the top job after several years in Malaysia, Antony Tulloch is 'delighted' to be returning to Melbourne.

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Dance review: Handsome, The Substation

A dance work that riffs on family history and legacy.

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