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Victoria

A female circus performer photographed mid-air with an audience looking on behind her.
Features

Can Australian circus bounce back from pandemic disruption?

How will our medium-sized circus companies maintain international presence and profile post-COVID?

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Dance review: Harlequinade

A revival of a lost classic has charm, frivolity and elegance.

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Theatre review: Mother Courage and her Children

A resonant moment in contemporary times to restage Brecht's famous anti-war play.

People standing in a James Turrell light artwork
Features

ACMI’s latest exhibition unpacks light as both phenomena and subject

ACMI's new light exhibition pushes you around – mentally – like a rag doll, wowed by a roll call of…

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Musical review: Cruel Intentions: The 90s Musical

An anachronistic adaptation of a 90s movie that fails to address outdated attitudes regarding sex and consent.

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Exhibition review: To the Sounds, Josephine Mead

Combining photography, prose and sound, Josephine Mead's solo exhibition creates a reflective haven in the bustling CBD.

A gender diverse group of cabaret artists.
Features

Creating COVID-safe audience participation on stage

How does an artform that’s reliant on intimacy and audience participation adapt to COVID-safe protocols?

A group of male and female dancers dressed in white dance against an orange cloth blackground.
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Dance review: Manifesto

Nine dancers keep the beat with nine drummers in this explosive celebration of timing and choreography.

Erin Jean Norvill in a blonde wig as Dorian Gray gazes at himself/herself in a hand-held mirror.
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Festival review: RISING

Capsule reviews of a range of RISING productions including The Picture of Dorian Gray and Stephanie Lake Company's Manifesto.

News

Who was Picasso in the eyes of his peers?

NGV’s winter blockbuster The Picasso Century offers more than a tale of the lone creative genius.

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