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Female painter in blue overalls in studio setting. Meg Walch. Tasmania.
Features

Can you sustain a studio practice in Tasmania?

Weighing up the challenges with the wins, ArtsHub speaks with four artists on placing their studio practice in Tasmania.

A dark-haired and bearded man in his 40s smiles at the camera. He wears a dark blue striped shirt and stands against a black background.
Features

Exit interview: Travis Tiddy, The Unconformity

After 15 years and seven festivals grown from the bedrock of Tasmania's West Coast, Tiddy reflects on growth, change and…

Gallery view of man walking in an immersive exhibition with video projection and metal sculpture. Unsettling Queenstown.
News

From Venice to Tasmania: a design collaboration shifting thinking

Australia’s representation at the 2023 Venice Architecture Biennale returns home to Tasmania, for its Australian debut.

Audiences gather outside a brightly-lit venue in Prince's Square. They, the building and the night sky are reflected in a dark pool of water in the foreground.
Features

The festival at the junction of artistic innovation and tourism KPIs

Government support from Events Tasmania instead of Arts Tasmania in no way prevents Junction from offering a strong cultural program…

Black and white photograph of bones on a table. Bett Gallery.
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Exhibition review: Neil Haddon and David Stephenson, Bett Gallery, Hobart

An unlikely pairing of two of Tasmania’s established artists, shaking up the landscape genre.

Girl with blonde hair and black t-shirt sitting in artist studio. Zoe Grey.
News

I’m an artist in my twenties, and I don’t want to leave Tasmania

Painter Zoe Grey wins Australia’s richest landscape prize, further cementing her love of Tasmania’s wild country.

Painting of an eye and the iris is a sky with clouds. Magritte.
Features

Exhibition highlights for July – December

Hate the feeling of FOMO? Or thinking of travelling interstate? ArtsHub’s got you covered for exhibitions to visit during the…

Why is a Holden Torana next to a Henry Ottmann? Image: 'Namedropping' installation view at Mona. Photo: Mona/Jesse Hunniford. A car and a painting sit in juxtaposition across two starkly different exhibition spaces.
Features

Mona's big flex – how David Walsh wrote himself into the books

'Namedropping' is an all-consuming exhibition about questioning status, but by doing so, Mona owner David Walsh has cunningly bolstered his…

A bearded man with a green top and brown jacket is standing next to a woman with glasses and short curly hair. There is a book case behind them. They are both smiling.
News

Creativity boost as university partners with Island magazine  

A new collaboration will see benefits flow to writing students.

Long open road in outback Australia. Tourism.
Opinions & Analysis

Surprises as most cultural Australian cities (per capita) revealed

Recent data shows that regional cities offer top cultural experiences.

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