Tasmania
Review: Hrafn: Conversations with Odin, Dark Mofo (TAS)
This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.
New $5m cultural precinct opens in central Hobart
Occupying almost an entire city block, the new precinct represents a significant partnership between private developers and DarkLab, a subsidiary…
What do you do with bad reviews? Celebrate them!
Instead of ignoring their worst reviews on TripAdvisor, Mona plastered them on billboards in order to generate further interest in…
Review: Yoga Clowns of the Apocalypse, Salamanca Arts Centre (TAS)
Highly visual and physically engaging, this absurd clown show quickly became a buzz around Hobart.
Review: Constellations Underground, Constance ARI (TAS)
Five artists from lutruwita (Tasmania) explore the use of clay as object, body and sound as part of the Australian…
MONA’s Eat the Problem is possibly well-meaning but ultimately exquisitely elitist
An exhibition that proposes we kill and consume invasive species fails to challenge the growing disparity between rich and poor.
Mona welcomes $50M promise as part of Tassie tourism package
Responding to the Labor Party’s promise of a financial boost to Tasmanian tourism, the private Hobart-based organisation voiced its support.
Review: Nothing, Salamanca Arts Centre
A dark and thought provoking work of theatre, skilfully brought to life by a talented team of creatives and performers.
Review: Ten Days on the Island, part three, the South
After epic weekends in the North West and the North East, the festival's final weekend reaches Hobart and the South.
Review: The Mares, Tasmanian Theatre Company
A new play by Kate Mulvany is impeccably realised in this outstanding Ten Days on the Island and Tasmanian Theatre…