Sydney
Booking for sustainability – building a relationship with a venue
Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to…
Expanding Australia's cultural narratives on stage
Set in contemporary Western Sydney, Aanisa Vylet’s play, 'The Girl / The Woman', explores the interior lives of a first…
Review: Handel's Athalia by Pinchut Opera
Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.
Review: Verdi’s Requiem, Sydney Symphony Orchestra
An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.
Review: Above Ground at Riverside Theatres
Form Dance presents a thought-provoking visually striking double bill of contemporary dance.
Review: Marjorie Prime at Ensemble Theatre
This play opens with some promising questions but ultimately its answers are simplistic and outdated.
Review: St. Vincent at Carriageworks for Vivid Sydney
St. Vincent can carry a 500-strong audience on the voice alone, but the guitar is a hell of a bonus.
Review: Bangarra's Dark Emu at Sydney Opera House
There is no single hero in Bangarra, despite there being plenty of heroism.
Review: Molière's The Hypochondriac at Eternity Playhouse
In this new vibrant translation by Hilary Bell, Molière's play is given a sharp updated revival.
Review: Prelude in Tea Concert by The Muffat Collective
A glorious concert of luscious Baroque music.