Sydney
Sydney artists are being priced out – here’s how to bring them back
There is already a shortage of creative spaces outside the city centre, and inner city artists’ movement to the suburbs…
Afghan and Persian voices a first in programming
Blacktown Arts Centre has turned to some of the newest members of its community for a new programming initiative.
Booking for sustainability – building a relationship with a venue
Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to…
Expanding Australia's cultural narratives on stage
Set in contemporary Western Sydney, Aanisa Vylet’s play, 'The Girl / The Woman', explores the interior lives of a first…
Review: Handel's Athalia by Pinchut Opera
Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.
Review: Verdi’s Requiem, Sydney Symphony Orchestra
An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.
Review: Above Ground at Riverside Theatres
Form Dance presents a thought-provoking visually striking double bill of contemporary dance.
Review: Marjorie Prime at Ensemble Theatre
This play opens with some promising questions but ultimately its answers are simplistic and outdated.
Review: St. Vincent at Carriageworks for Vivid Sydney
St. Vincent can carry a 500-strong audience on the voice alone, but the guitar is a hell of a bonus.
Review: Bangarra's Dark Emu at Sydney Opera House
There is no single hero in Bangarra, despite there being plenty of heroism.