Sydney
Review: Avalanche: A Love Story, Roslyn Packer Theatre (NSW)
STC’s production presents a powerful journey through infertility.
Review: Natalia Osipova’s Pure Dance, Sydney Opera House (NSW)
Four dancers present some challenging modern pieces by a smorgasbord of choreographers.
Review: Titus Andronicus, Sydney Opera House (NSW)
Bell Shakespeare ‘queers and redreams’ Titus in this gripping and hellish production.
Review: Caroline, or Change, Hayes Theatre (NSW)
Veteran playwright Tony Kushner’s musical theatre debut is a little perplexing.
Review: ARCO – New Constellations, City Recital Hall (NSW/national)
The Australian Romantic & Classical Orchestra’s lush concert offers glorious music on 19th century instruments.
Review: Rainbow’s End, Darlinghurst Theatre (NSW)
Jane Harrison’s play follows one Yorta Yorta family’s struggles against assimilation during the Menzies era.
Review: Life of Galileo, Belvoir (NSW)
Belvoir’s fresh and captivating production transposes Brecht’s play to a contemporary setting that wrestles with climate change and our place…
Review: Natural Order, Milk Crate Theatre (NSW)
Devised by people experiencing homelessness, this immersive experience reveals the Orwellian dimensions of social services.
Review: Britten’s Peter Grimes in Concert, Sydney Symphony Orchestra (NSW)
SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience?
Review: Catch Me If You Can, Hayes Theatre (NSW)
With electric choreography and polished performances all around, this musical is one to catch.