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Opinions & Analysis

Sales, scale and politics: a closer look at Sculpture by the Sea

Sculpture by the Sea versus Woollahra Small Sculpture Prize: we weigh up the options for artists.

Features

Sydney Festival becomes Australia’s single largest commissioner of new work

Festivals play a vital role in commissioning and co-commissioning work from small to medium companies and independents. Without them, the…

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Ella Dreyfus Under Twenty-Seven, Bondi Pavilion (NSW)

With a sensitive honesty, Dreyfus opens our eyes to the precious transition of boys to men.

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Fully Committed, Ensemble Theatre (NSW)

Contessa Treffone plays more than 30 characters in this breathless foodie comedy.

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Primavera 2019: Young Australian Artists, Museum of Contemporary Art (NSW)

This year’s Primavera is a real shake-up, and wake-up, in the hands of Archibald-winning artist Mitch Cairns as curator.

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The Shadow Whose Prey the Hunter Becomes, Carriageworks (NSW)

A sparse production that turns the mirror on the audience.

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Speed: The Movie, The Play; Sydney Fringe (NSW)

A fast-paced experience that puts you into the Hollywood movie.

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High Performance Packing Tape, Sydney Opera House (NSW)

Despite an assured performance and impressive sound design, Branch Nebula’s production lacks surprise.

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Splinter, Griffin Theatre (NSW)

Splinter is a haunted story of a family reunited in the wake of chaos.

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The Real Thing, Sydney Opera House (NSW)

Tom Stoppard’s play offers an immensely fun and moving night, and a self-reflexive meditation on writing.

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