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Review: Once, Darlinghurst Theatre (NSW)

Enda Walsh’s musical is a classic boy-meets-girl romance with terrific singing and great chemistry.

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Review: The Invisible Hand, 4A Gallery (NSW)

Freaked out about identity theft via your devices? This exhibition offers a darkly humourous twist on living with technology and…

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Review: Diplomacy, Ensemble Theatre (NSW)

73 days after Notre Dame was ravaged by fire, Cyril Gely’s Diplomacy - depicting Paris’ near-obliteration by Adolf Hitler -…

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Review: Dvorak’s Symphony No 6, Sydney Opera House

An exhilarating, muscular performance.

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Review: The Return of Ulysses, Pinchgut Opera (NSW)

Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.

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Review: Murder on the Wireless, Ensemble Theatre (NSW)

The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.

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Review: Things I Know To Be True, Belvoir Theatre (NSW)

An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.

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Review: Love is the Message, The Message is Death, Sydney Opera House

Arthur Jafa’s video work explores police brutality and the contradictions of America today.

Features

Busting opera wide open: the Pinchgut revolution

Ditching the curtain, delivering surpluses, and winning international awards, Pinchgut is a young company changing the face of opera in…

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Review: True West, Limelight on Oxford (NSW)

Funniest when it’s also at its most serious, Sam Shepard’s classic explores sibling rivalry and the dying West.

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