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Review: Misfit – Collage and Queer Practice, National Art School/Mardi Gras (NSW)

The exceptionality of queer experience is on glorious display here with jagged wit.

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Review: Life is Impossible, Old 505 Theatre (NSW)

Broadway fantasy meets wartime socialist activism to mixed success.

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Review: No Pay? No Way!, Sydney Opera House (NSW)

Liberation takes many forms in Marieke Hardy’s stellar adaptation of Dario Fo’s classic Marxist farce.

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Review: Jesus Wants Me for a Sunbeam, Belvoir (NSW)

A dark and clever work that produces visceral, divided responses from the audience.

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Review: Taloi Havini: Reclamation, Artspace (NSW)

Reclamation considers both personal and political narratives, and comes at a time when our world is collectively questioning environmental responsibility,…

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Review: Hofesh Shechter’s Grand Finale, Sydney Opera House (NSW)

A weighty, admirable yet bleak work for the end of days.

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Review: The Life of Us, Hayes Theatre (NSW)

An absorbing and intimate new Australian musical exploring long-distance love.

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Review: Don Giovanni, Sydney Opera House (NSW)

Opera Australia’s revival run of Sir David McVicar’s production is part revelatory – and part not.

Features

Exit interview: Lee Lewis, Artistic Director, Griffin Theatre

After eight years at Griffin, Lee Lewis is moving on to a new role at Queensland Theatre. She reflects on…

News

American Psycho The Musical wins nine Sydney Theatre Awards

Other winners on the night included the Belvoir/Co-Curious co-production Counting and Cracking, STC’s The Beauty Queen of Leenane, and Apocalypse…

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