Sydney
Powerhouse move to go ahead, saved from COVID’s axe
Parramatta Lord Mayor makes plea: 'Don't turn your back on us', while the National Trust is disappointed as Powerhouse Museum…
Sydney Fringe goes global despite cancelling its 2020 festival
While the 11th Sydney Fringe has been cancelled, an alliance with international Fringe Festivals will ensure important independent works can…
So you want my arts job: Artistic Director
If you can balance strategy, business and networking with creative inspiration, then working as an artistic director might be the…
COVID-19 stops Sydney Film Festival
Here is the message from Chair Deanne Weir, CEO Leigh Small and Festival Director Nashen Moodley.
Review: Misfit – Collage and Queer Practice, National Art School/Mardi Gras (NSW)
The exceptionality of queer experience is on glorious display here with jagged wit.
Review: Life is Impossible, Old 505 Theatre (NSW)
Broadway fantasy meets wartime socialist activism to mixed success.
Review: No Pay? No Way!, Sydney Opera House (NSW)
Liberation takes many forms in Marieke Hardy’s stellar adaptation of Dario Fo’s classic Marxist farce.
Review: Jesus Wants Me for a Sunbeam, Belvoir (NSW)
A dark and clever work that produces visceral, divided responses from the audience.
Review: Taloi Havini: Reclamation, Artspace (NSW)
Reclamation considers both personal and political narratives, and comes at a time when our world is collectively questioning environmental responsibility,…
Review: Hofesh Shechter’s Grand Finale, Sydney Opera House (NSW)
A weighty, admirable yet bleak work for the end of days.