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How ghost lights keep the spirit of theatre alive

One of NIDA’s latest projects invites actors, playwrights, and members of the public to share their love of the theatre…

News

In the face of green bans and protests, Powerhouse Museum rethinks future

Plans for the sale of the Powerhouse Museum's Ultimo site back-flipped over the weekend, as protests escalated around its imminent…

Opinions & Analysis

Powerhouse move to go ahead, saved from COVID’s axe

Parramatta Lord Mayor makes plea: 'Don't turn your back on us', while the National Trust is disappointed as Powerhouse Museum…

News

Sydney Fringe goes global despite cancelling its 2020 festival

While the 11th Sydney Fringe has been cancelled, an alliance with international Fringe Festivals will ensure important independent works can…

Career Advice

So you want my arts job: Artistic Director

If you can balance strategy, business and networking with creative inspiration, then working as an artistic director might be the…

News

COVID-19 stops Sydney Film Festival

Here is the message from Chair Deanne Weir, CEO Leigh Small and Festival Director Nashen Moodley.

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Review: Misfit – Collage and Queer Practice, National Art School/Mardi Gras (NSW)

The exceptionality of queer experience is on glorious display here with jagged wit.

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Review: Life is Impossible, Old 505 Theatre (NSW)

Broadway fantasy meets wartime socialist activism to mixed success.

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Review: No Pay? No Way!, Sydney Opera House (NSW)

Liberation takes many forms in Marieke Hardy’s stellar adaptation of Dario Fo’s classic Marxist farce.

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Review: Jesus Wants Me for a Sunbeam, Belvoir (NSW)

A dark and clever work that produces visceral, divided responses from the audience.

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