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Design Associates Program aims to change the face of the industry

Sydney Theatre Company puts their money where their mouth is, creating career pathways for diverse appointees following the signing of…

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Theatre review: Home, I’m Darling, Sydney Theatre Company

Two 1950’s enthusiasts discover that the golden era they adore and seek to emulate may be harder to maintain than…

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Theatre review: Hamilton, Sydney Lyric Theatre

The critic-proof production has opened in Australia to rapturous reviews – but what did we think?

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Lisa Havilah on programming for the future

Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…

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Stats out on Biennale of Sydney; we take a look at COVID’s impact

Despite cutting its staff by half as COVID hit, the Biennale of Sydney delivered over 600 programs to audiences, and…

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Performance review: Bhoomi: Our Country (Sydney Festival)

A collective of musicians, dancers and writers weave ancient texts, myths and traditions into a recital exploring collective connection to…

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First digital commissions for Phoenix Central Park revealed

The award-winning building in Chippendale will host new digital commissions featuring a diverse group of collaborators, including Sydney Dance Company…

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Theatre Review: Twelfth Night, Virginia Plain/New Theatre

'Even so quickly may one catch the plague?' Love is a virus in this independent production of Shakespeare’s Twelfth Night,…

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NAS gets $18M from NSW government

The National Art School received over $18 million from the state government for critical maintenance of its 200-year old building's…

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Review: Wonnangatta, Sydney Theatre Company

A sense of the open, of fear, and of the possibility of danger pervades this mysterious and emotional production.

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