Sydney
Suzanne Cotter appointed new MCA Director
Australian expat to return home to take up the helm of the Museum of Contemporary Art Australia, after a 30-year…
Against the grain: the art school that’s expanding careers
The National Art School is fully independent and puts hands-on studio practice first. Their annual Open Day allows you to…
How to pick the perfect acting school
There are many considerations to make when choosing where to study, from industry to artistry. Here’s how to know which…
COVID-chaos disrupts July, hopes for August
SA’s snap lockdown halts Illuminate Adelaide; Australian Festival of Chamber Music cancels 30th anniversary; Winter Jazz Fest hopes for August.
Opera Review: Aida, Opera Australia
New technology revitalises a classic Verdi tragedy.
Theatre Review: Come from Away
Sparks of goodwill shine in the trail of darkness.
Theatre Review: A Room of One’s Own, Belvoir
Belvoir’s production of Virginia Woolf’s classic polemic on women in literature is a sophisticated and stimulating exploration of the role…
Theatre Review: Fun Home, Sydney Theatre Company
Based on Alison Bechdel's graphic novel, this musical is a visually inventive and emotionally rich night at the theatre.
Dance Review: Counterpointe, The Australian Ballet
A bold, brave and accessible collection of three distinct and landmark pieces.
Visual storytelling and the case for radical empathy
First Nations artist Hayley Millar Baker foregrounds herself as a storyteller, blurring the formal conventions of photography to construct probing…