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Features

Galleries are our anchors amid COVID closures

Persistent, intermittent COVID gallery closures reveal what we miss most about their spaces and why they matter so much.

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Book review: Second City, edited by Catriona Menzies-Pike and Luke Carman, Giramondo

A plurality of voices in and around Western Sydney dispels preconceived ideas and prejudices about the region.

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Opera Australia postpones Phantom of the Opera until 2022

Advance ticket sales of $20M could not save the blockbuster musical from the real phantom stalking our arts centres: COVID-19.

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A future-focused conversation around disability and inclusion

Featuring keynote speaker S. J. Norman, a First Nations artist of Wiradjuri descent, the full program for Arts Activated 2021…

Incoming MCA Director Suzanne Cotter
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Suzanne Cotter appointed new MCA Director

Australian expat to return home to take up the helm of the Museum of Contemporary Art Australia, after a 30-year…

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Against the grain: the art school that’s expanding careers

The National Art School is fully independent and puts hands-on studio practice first. Their annual Open Day allows you to…

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How to pick the perfect acting school

There are many considerations to make when choosing where to study, from industry to artistry. Here’s how to know which…

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COVID-chaos disrupts July, hopes for August

SA’s snap lockdown halts Illuminate Adelaide; Australian Festival of Chamber Music cancels 30th anniversary; Winter Jazz Fest hopes for August.

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Opera Review: Aida, Opera Australia

New technology revitalises a classic Verdi tragedy.

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Theatre Review: Come from Away

Sparks of goodwill shine in the trail of darkness.

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