Sydney
Theatre review: The End of Winter, Griffin Theatre Company
A monologue about climate change and extreme disruptions in temperature.
Creative futures assured in trying times
Expansion of industry support confirmed for creative industries practitioners, with announcement of Powerhouse Ultimo creative industries residencies.
Theatre review: At What Cost?, Belvoir
A timeless tragedy that prompts questions about land and (Indigenous) identity.
What I learnt over my 15 years as a gallerist
Moving to Australia with no network of artists or collectors, Dominik Mersch says that sharing stories has been the key…
Was the Sydney Festival boycott justifiable to support Palestine?
Dr Ben Saul, Professor of International Law at The University of Sydney, explains why boycotts are needed and necessary.
A new trend: artist car boot sales
Is it about broadening opportunities for artists in our post-pandemic world, or downgrading the value of professional practice?
Theatre review: The Museum of Modern Love, Seymour Centre
Playing with the entangled possibilities of art, life and love.
Performance review: The Acoustic Life of Boatsheds, Big hART
Ferry-boarded to encounter original performances inspired by the boatsheds, workshops and waterways of Sydney.
Live arts insurance scheme urgently needed
As Omicron hinders long awaited performing arts rebounds, the need for a Federal live arts insurance scheme intensifies.
Theatre review: Lizzie, Hayes Theatre
A queer retelling of the notorious true-crime case in small town America in 1892.