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Theatre review: At What Cost?, Belvoir

A timeless tragedy that prompts questions about land and (Indigenous) identity.

Man laying in art gallery with dog.
Features

What I learnt over my 15 years as a gallerist

Moving to Australia with no network of artists or collectors, Dominik Mersch says that sharing stories has been the key…

Features

Was the Sydney Festival boycott justifiable to support Palestine?

Dr Ben Saul, Professor of International Law at The University of Sydney, explains why boycotts are needed and necessary.

Open car boot at market sale.

A new trend: artist car boot sales

Is it about broadening opportunities for artists in our post-pandemic world, or downgrading the value of professional practice?

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Theatre review: The Museum of Modern Love, Seymour Centre

Playing with the entangled possibilities of art, life and love.

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Performance review: The Acoustic Life of Boatsheds, Big hART

Ferry-boarded to encounter original performances inspired by the boatsheds, workshops and waterways of Sydney.

A female dancer on stage under smoky spotlight
News

Live arts insurance scheme urgently needed

As Omicron hinders long awaited performing arts rebounds, the need for a Federal live arts insurance scheme intensifies.

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Theatre review: Lizzie, Hayes Theatre

A queer retelling of the notorious true-crime case in small town America in 1892.

Features

Playing a part beyond allyship with Black Brass

By recentring the African experience in an Australian context, this production suggests new models of participation and reciprocity.

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Theatre review: Six: The Musical, Sydney Opera House

Not for historical purists, this musical is more an ode to sisterhood.

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