Sydney
Exhibition review: Adrián Villar Rojas: The End of Imagination
The opening commission for AGNSW’s new Tank is bound to be an attraction, but is disappointingly lacking in deeper nuance.
Opera Review: Carmen on Cockatoo Island, Opera Australia
A strong retelling of a timeless tale with always relevant social themes.
It's a great building, but...
ArtsHub steps inside the hugely anticipated Sydney Modern, and asks ‘Is it a good gallery?’
Can Powerhouse Photography deliver where ACP failed?
Sector voices have raised concerns over the history of management at the Australian Centre for Photography, but the deeper question…
New program and personnel prove a gamechanger for Musica Viva
Musica Viva's renewal after COVID offers a tantalising program of collaborations and new directions.
Theatre review: The Tempest, Sydney Theatre Company
A pared-back production after Kip WIlliams' previous screen-heavy theatre adaptations.
What future-proofing looks like in the performing arts
More than a revamped venue, Sutherland’s Pavilion Performing Arts Centre signals a commitment towards creative pathways that go from community…
Representing community? The Jungle and The Sea
S. Shakthidharan’s latest stage production, which opened at Belvoir this week, fails to explore the Tamil experience in depth, argues…
Have you got your organisation's climate action plan in play?
Setting zero emissions targets for 2025, the Powerhouse will be a global leader in its sustainability credentials, adopting First Nations…
Diversity and drawing at heart of learning in 2023
100 years old; 100 years young – a creative legacy shaping the next generation of Australian artists through short summer…