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Comedy reviews: Weird Al's Cousin, Garry Starr, Sydney Fringe Festival

Two very different solo acts revelling in silliness and provoking laughter.

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Major new sound installation taps Sydney’s DNA

Joining Athens, Abu Dhabi, Singapore, Beirut and Sydney, artist Tarek Atoui has created a layered and dynamic portrait of port…

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Theatre review: The Hen House, Riverside Theatre

A celebration of migrant working women characterised by charming performances and a hypnotic soundscape.

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Something is happening...

The coming together of a show grounded in neurodiverse experiences by The Strangeways Ensemble.

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New First Nations Curatorial Fellow for Biennale

Tony Albert has been appointed as the inaugural Fondation Cartier pour l’art contemporain First Nations Curatorial Fellow.

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Programming with lived experience

From tackling the question "Where are you from?" to multilingual performances, these initiatives champion for visibility and understanding.

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Art fair sales demonstrate dampening of market a myth

The numbers are in for Sydney Contemporary, demonstrating a market downturn is not as bad as we thought.

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Exhibition review: Hoda Afshar – A Curve is a Broken Line, AGNSW

This exhibition is the artist's first major solo and lives up to the visual and contextual depth of her works.

Daniel Stoll, Florian Willeitner, Sander Stuart, Leonard Disselhorst, Vision String Quartet. Photo: Harald Hoffmann
Features

A string quartet playing classical works from memory

The acclaimed Vision String Quartet will embark on an extensive concert tour for Musica Viva on its first visit to…

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Musical review: Wicked, Lyric Theatre

A crowd favourite, this musical makes its way back to Australia for the third time in 15 years.

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